Conversations
“M(B)R Visiting #1: Merav Maroody,” TOHU MAGAZINE (February 2021).
“M(B)R VSTS #2: Noa Ginzburg with Hannah Bruckmüller,” TOHU MAGAZINE (March 2021).
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with Moran Sanderovich, “’In the future there will be no such creatures like me.’” PROTOCOLS Issue #7: SIX + GENDERS (May 2020).
I visited Moran Sanderovich in her studio on a beautifully perfect date: two-ten-twenty-twenty — before we two knew where 2020 was going — to twenty seconds of hand washing and two meters of distance between us. We are in the midst of a global crisis, inflicted by a virus that attacks bodies and leads to illness and deadly complications. We try to minimize contagions by avoiding touch, depriving ourselves proximity with loved ones. When I reflect back on the conversation Moran and I had in her crowded studio, I recall the studio full, with bodies-of-work, intimately surrounding us, while we were talking about bodies, transformations, disgust, nature, manipulations, superpowers, legends, and traumas. What kind of traumas would a lack of touch trigger?
Moran Sanderovich holding one of her works. Photo: Michal B. Ron, 2020.
“M(B)R VSTS #2: Noa Ginzburg with Hannah Bruckmüller,” TOHU MAGAZINE (March 2021).


with Moran Sanderovich, “’In the future there will be no such creatures like me.’” PROTOCOLS Issue #7: SIX + GENDERS (May 2020).
I visited Moran Sanderovich in her studio on a beautifully perfect date: two-ten-twenty-twenty — before we two knew where 2020 was going — to twenty seconds of hand washing and two meters of distance between us. We are in the midst of a global crisis, inflicted by a virus that attacks bodies and leads to illness and deadly complications. We try to minimize contagions by avoiding touch, depriving ourselves proximity with loved ones. When I reflect back on the conversation Moran and I had in her crowded studio, I recall the studio full, with bodies-of-work, intimately surrounding us, while we were talking about bodies, transformations, disgust, nature, manipulations, superpowers, legends, and traumas. What kind of traumas would a lack of touch trigger?
Moran Sanderovich holding one of her works. Photo: Michal B. Ron, 2020.